Our article on the trade-offs between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems, and the necessity to take metadata problems in Europe more seriously has been published in the Journal of Intellectual Property, Information Technology and Electronic Commerce Law.
For my daily tasks data would be needed for setting the price of the different licenses and, or identifying the works that were used, exploited, to properly manage the payouts to the rights holders.
While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors. Weighing costs and benefits, there …
Valuing music and projecting royalty flows.
Valuing music and projecting royalty flows.
The problem of the music industry is not too little, but too much data. Music is drowning in numbers, and it has too little resources to turn much data into valuable information. We have shown that we open collaboration is the key to success.
The data and intelligence of CEEMID was used in Hungary to create an ex ante evaluation of the new Cseh Tamás Program to support popular music development in Hungary. Our mandate was to create concrete granting proposals that have a high chance of making a change in terms of the later royalty earning capabilities of artists.