We want reduce data inequalities within Western and Eastern, Northern and Southern Europe, and contribute to a transparent data observatory that is inclusive for all.
The Central & Eastern European Music Industry Report 2020 was presented as a case-study on national and comparative evidence-based policymaking in the cultural and creative sector.
The results of the first Hungarian, Slovak, Croatian and Czech music industry reports are compared with Armenian, Austrian, Bulgarian, Lithuanian, Serbian and Slovenian data and findings.
A Progress Report on the Czech Music Development Program and problems in an international context. We would like to invite any Czech stakeholders, or even individuals to join our Research Consortium, because in the music sector, all organization are microenterprise or small enterprise sized, they usually have no significant market research, innovation and strategic HR management capacities. We hope to give them in each country useful tools.
My study, Private Copying in Croatia, argues for an overhaul of the Croatian private copying remuneration scheme and gives some empirical evidence for the transposition of the DSM Directive. Even for those who are not interested in royalties, the first 3 chapters offer a very interesting introduction on how people listen to music, how musicians make music and how people copy it in the 21st century.
We had the first public and panel discussion of the forthcoming Central European Music Industry Report. After mapping and analysing in depth the music industries of several CEE countries, I put together with the help of Consolidated Independent and state51 a regional report in previously unseen detail.
Slovakia's first music industry report. Following the three income streams model from creation till audience, we summarized for the the number of works that were created, recorded, staged in Slovakia in a year. We calculated their revenues, their …
We presented the most important findings of the Slovak Music Industry Report with the project sponsor, Mgr. Tomas Miks, member of SOZA’s management team in the first SHARPE music conference in Bratislava.
Being visible in the world is always difficult in the Central and Eastern European region. Made in Hungary is the first book in the Popular Music Studies series of Routledge from the region. A description of our first datasets, the motivation of …
Daniel Antal presented the preliminary findings of the Croatian music industry research in the International Authors’ and Creators’ Conference in Zagreb on 24 November 2015. The presentation was largely based on analysis of various CEEMID databases.